John P. McCombe
- Phone: 937-229-3697
- Email: Contact
Dr. McCombe is a Pittsburgh native and earned a B.S. degree at the University of Pittsburgh. His original undergraduate focus was chemistry, which prepared him for a brief career as an analytical chemist. While working at the University of Pittsburgh Medical Center, he completed additional course work in literature and film, before enrolling as a graduate student in English at Pitt. Later, he completed a doctorate in British Literature at The Ohio State University. At UD, Dr. McCombe regularly teaches courses in British literature, film, and composition, as well as occasional special topics courses on Bob Dylan, Michael Jackson, and the Beatles.
The Faculty Perspective
I had never visited UD prior to my on-campus interview, nor had I significant exposure to the Marianists or Catholic higher education. But now I'm unable to imagine working anywhere else: I love the campus community, and I'm particularly happy in a department in which I'm encouraged to pursue my diverse teaching and research interests.
- British Modernism
- Survey of British Literature, 1800-Present
- The New Hollywood: Film in the 1970s
- Cool Britannia: Contemporary British Literature and Film
- Film Theory
- British Film
- The Beatles in Literature and Film
- Bob Dylan as Literature
- Major British Authors: Shakespeare, Austen, Wilde, and Woolf
- Hollywood in the Age of Anxiety, 1945-1963
- Film Genres: Screwball Comedy and Film Noir
- Shakespeare, Cinema, and Society
- Berry Scholars First-Year English Seminar
- Honors Freshman Writing Seminar
- College Composition I (CORE Program)
- College Composition II (CORE Program)
- Ph.D., The Ohio State University, 2000
- Modern British Literature
- Film Studies
- Music and Literature
Selected Publications and Presentations
"'Common People': Realism, Class Difference, and the Male Domestic Sphere in Nick Hornby's Collision with Britpop." Modern Fiction Studies. Accepted for Publication.
"'Trying so hard to be like the big boys': Elvis Costello Explores Male Aggression and Militarism in Armed Forces." The Journal of Popular Culture. Accepted for Publication.
"The Stephen Dedalus Blues: Travel, Trains and a Blues Sensibility in A Portrait of the Artist as a Young Man." James Joyce Quarterly 48:3. Forthcoming.
"Minstrelsy, Masculinity, and 'Bob Dylan' as Text in I'm Not There." POST SCRIPT: Essays in Film and the Humanities 30 (2011): 12-25.
"Not 'Only Sleeping': The Beatles and a Neo-Romantic Aesthetic of Indolence." Mosaic: A Journal for the Interdisciplinary Study of Literature 44 (2011): 137-52.
"Henry James, Shakespeare's Biography, and the Question of National Identity in 'The Birthplace' and 'The Introduction to The Tempest.'" The Henry James Review 31 (2010): 169-87.
"'A Complete Loser': Masculinity and its Discontents in Elvis Costello's My Aim is True and This Year's Model." Journal of Popular Music Studies 21 (2009): 192-212.
"'Oh I See...': The Birds and the Culmination of Hitchcock's Hyper-Romantic Vision." Cinema Journal 44 (2005): 64-80. Rpt. in A Hitchcock Reader. 2nd ed. Oxford: Wiley-Blackwell, 2009. 264-79.
"Cleopatra and Her Problems: T.S. Eliot and the Fetishization of Shakespeare's Queen of the Nile." Journal of Modern Literature 31 (2008): 23-38.
"Reinventing Bird: The Evolving Image of Charlie Parker on Screen." POST SCRIPT 25 (2005): 22-37.
"'Suiting the Action to the Word': The 1908 Clarendon Tempest and the Evolution of a Narrative Silent Shakespeare." Literature Film Quarterly 33 (2005): 142-55.
"'Eternal Jazz': Jazz Historiography and the Persistence of the Resurrection Myth." Genre: Forms of Discourse and Culture 36 (2004): 85-108.
"'Taking the seedcake back from his mouth': The Intertextual World of James Joyce and Kate Bush." The Modern Language Association Convention. Boston, MA, January 3-6, 2013.
"Virginia Woolf in the Trailer Park: Isaac Brock, 'Nowhere,' WA and the Lonesome, Crowded West." The Modern Language Association Convention. Seattle, WA, January 6-9, 2012.
"Common People": Realism, Class Difference, and the Male Domestic Sphere in Nick Hornby's Collision With Britpop." The Modern Language Association Convention. Los Angeles, CA, January 6-9, 2011.
"Keeping the Visionary Company: The Beatles and a Neo-Romantic Aesthetic of Indolence." Louisville Conference on Literature and Culture Since 1900. Louisville, KY, February 18-20, 2010.
"Bob Dylan as a Literature/Film Text in I'm Not There." The 2009 Literature/Film Association Conference. Carlisle, PA, October 15-18, 2009.
"Henry James, Biographical Criticism, and the Question of National Identity in 'The Introduction to The Tempest.'" The Modern Language Association Convention. Chicago, IL, December 27-30, 2007.
"Staging Motherhood: Liz Phair, Tori Amos, and the Maternal Sublime." The Midwest Modern Language Association Convention. Cleveland, OH, November 8-11, 2007.
"'The Jagged Grain of a Brutal Experience:' The Blues Dialectic in Joyce's A Portrait of the Artist." The 2007 International James Joyce Conference. Austin, TX, June 13-17, 2007.
"Shakespeare was no Yank: James's 'The Birthplace, Cultural Commodification, and Hating Americans.'" The Midwest Modern Language Association Convention. Milwaukee, WI, November 10-13, 2005.
"The Stephen Dedalus Blues: Reading A Portrait of the Artist Through a Blues Aesthetic." Midwest Regional American Conference for Irish Studies. Milwaukee, WI, October 15-17, 2004.